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Broken Things
Autism, mind blindness, is a mysterious and confusing
condition. Its causes and cure are unknown. Its occurrence
appears to be rising. So many families struggle with autism;
trying to give children they do not understand as close to a
normal life as possible, knowing that these children may
never live an independent life. It is this fractured world of
autism that is the basis of my play Broken Things.
Broken Things was conceived in a conversation over lunch
with Edward Albee, my teacher at University of Houston. He
had told me that I was a playwright, information for which I
was very grateful, and I told him about my teenage son who is
autistic. I said that I would like to write a play about an
autistic man but I didn’t know how to do it without being
maudlin. He replied, “That’s easy. Do it from your son’s
point of view.”
When a three time Pulitzer Prize winning national treasure
tells you to write a play… I figured out how to write the
play. There are a lot of complications to writing a play
about a person with poor communication skills. I had to
invent languages for characters to indicate when Adam, the
hero, stopped understanding them. I had to find a way to
allow Adam to communicate to the audience without
communicating with the people in his world. Success occurred
for this hurdle, by having two actors play Adam, his mind and
his body. His mind could then talk to his body more clearly
than his mind could communicate with his world.
Edward Albee recently produced BROKEN THINGS as part of his
2001 New Playwrights Series sponsored by the University of
Houston.
Mr. Albee personally chooses participating playwrights from
a large pool of submissions. He generally chooses five to six
playwrights to work with six student directors from the
University of Houston Theater Department.
The play is then work shopped with the input of all the
playwrights, directors and Mr. Albee.
Broken Things ran at Houston’s Stages Repertory Theatre,
April 28-29.
The play remains eligible for a professional premiere.
About Broken Things
THE STORY
BROKEN THINGS is a full-length drama about Adam who, on the
brink of manhood, is brilliant and physically beautiful—and
autistic. The story unfolds entirely from Adam’s fractured
point of view, through the special language of his incomplete
understanding.
Although Adam’s caring family mostly comprehends his
disability, they still fall into talking about him where he
might overhear. Thus Adam both understands—and
misunderstands—more than they realize.
Today, Adam is threatened as he observes his divorced parents
struggling over what his increasing size and budding sexual
desires could mean to his future, and theirs. Something is
about to change and everyone is afraid.
THE CHARACTERS
To convey the many facets of autism, the leading role of ADAM
is played by two actors: one represents his mind, the other,
his body which imprisons him. ADAM, as his mind, is seen as
handsome and whole. His body is seen as a scruffy,
featureless, erratic PUPPET.
His guilty, grief-stricken mother is ELLEN, only now daring
to feel she might be entitled to a life of her own. Her
younger son, DAVID (18) will be off to college soon, leaving
behind a life spent balancing his own needs against the
overwhelming needs of his brother and mother.
Adam’s successful father, JOHN, despite having fled his
overburdened household, remains a powerful presence, both in
Adam’s mind and in his life. John’s new, young wife, TIFFANY
fears Adam’s growing sexual attraction to her.
Multiple supporting roles are played by a mysterious MAN, his
face often obscured by shadow. Occurring only in Adam’s
memory, he reflects Adam’s view of the outside world in all
its frightening complexity.
Actors portraying Adam’s family also play additional
characters in Adam’s past and present.
THE SETTING
Set requirements are few. Taking place entirely in Adam’s
room and his imagination, the play allows directors and
designers a wide range of creativity in interpreting the
chaotic world of autism.
The scene opens to Adam sitting on his bed, humming
obsessively as he reads. He is dressed neatly but disheveled,
rocking back and forth, looking autistic. Making exaggerated
hand motions, he becomes agitated. Looking around anxiously,
he speaks…
“Today is the day. This is the day. This is the day they
send me away. Away. Away…Why?"
Broken Things Schedule
Broken
Things just had a showing at The Kraine Theater
in New York City's East Village during the New York
Fringe Festival this past summer. We will update
the schedule as the year progresses.
For more information about Kraine Theater, please
visit their website at www.horsetrade.com.
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